![]() Temporary shellfish closures are also implemented as a precautionary measure when predictable conditions pose a threat to water quality.Once the event that caused the poor water quality has ended and water quality has improved, the area may be reopened to harvest.This could be the result of excessive amounts of storm water runoff or the presence of harmful algal blooms or biotoxins in the water or shellfish. Temporary closures can occur when an area that is normally open experiences sudden, short-term degradations in water quality.Changes in the regulatory classifications are determined by year-round water quality monitoring to ensure that harvest areas meet the stringent requirements for the safe harvest of shellfish for food consumption. Regulatory closures are based on the annual water quality analysis of a specific area.Use the DEC Public Shellfish Mapper to check the area where you want to go clamming is open to shellfish harvesting.ĭEC manages the shellfish harvest area closures through regulatory closures and temporary closures.Check with the local town which you are harvesting from to acquire a recreational shellfishing permit.Recreational shellfish diggers are not required to hold a permit from DEC but are subject to the daily harvesting limits for shellfish.If you want to catch your own shellfish to eat, be sure to review the list below before heading to the water: Please direct questions regarding the training to Please make sure to review our Reference Guide for All Harvesters and Shellfish Dealers (PDF) and the Vibrio Control Plan. DEC Shellfish Digger Permit holders are required to complete the Shellfish Harvester Training Certification.Commercial shellfishing permits are issued by the Marine Permit Office (MPO) and can be found on Marine Permits and Licenses.Shellfish shippers and shellfish processors are also required to hold permits based on the type of shellfish handling carried out at their facilities. Commercial ShellfishingĬommercial shellfish diggers are required to hold DEC permits to conduct harvesting activities. This interactive map shows year-round and seasonal shellfish closures, conditional harvest areas, commercial shellfish harvest zones, aquaculture lease sites, DEC water sampling stations, and more! The Descriptions of Shellfish Closures and Classification Maps (6NYCRR Part 41) are the official regulatory shellfish closures. Try the new and easy-to-use DEC Public Shellfish Mapper to find areas that are open to shellfishing. My research provides a naturally interdisciplinary frame for contextualizing Neuhaus’s emergent sound installation practice as circumscribed by conflicts between new music, sonic art, public space, acoustical engineering, and the geopolitics of listening.And commercial shellfish harvesters DEC Public Shellfish Mapper Navy’s Underwater Sound Reference Division (USRD), in addition to the public radio stations Rundfunk im amerikanischen Sektor (RIAS) and Radio Bremen. I will analyze the technological, artistic, and cultural forces that supported Neuhaus’s experiments in underwater sound generation and perception, including the artist’s unexpected connections to the American corporate and militaristic ambitions of Bell Labs and the U.S. Collectively known as Underwater Music, these works were among Neuhaus’s earliest experiments with the electronic circuit to create continuous, immersive sonic environments. ![]() Neuhaus’s sound installations, such as the continuous resonant drone of Times Square (1977) or the listener-generated, and self-modulating, radio network Radio Net (1977), expanded artistic and cultural boundaries by constructing immersive public sonic environments and virtual spaces, 1960–1980, that evaded conventions of musical performance, composition, and spectatorship.Īt the MPIWG, I will research Neuhaus’s activities in West Germany, 1976–1977, encompassing his DAAD artist residency and creation of underwater sound installations in public swimming pools. The project continues my research on American experimental musician, sonic artist, and electronic engineer Max Neuhaus (1939–2009), who explored the electronic circuit as a “post-musical” platform to create the hybridized artistic practice of sound installation. My research project examines the electronic circuit as a technological, artistic, and social medium that interconnects disparate histories of postwar art, music, and media.
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